Dating daguerreotype cases

The daguerreotype, its brass frame and the glass that went over both, were all sealed by the photographer with a fine paper that went around the edges. That was to keep the daguerreotype from darkening through oxidation, and it was a normal practice. Nonetheless, in the ensuing years, the seal decayed, the image oxidized, and that's why you see a dark halo around the frame.

In the early s, Martha A. There she found "ten small bundles carefully wrapped in brown paper and tied with twine.


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To her astonishment, when she unwrapped them she found daguerreotypes of the greatest Americans from the s, including Andrew Jackson and John Quincy Adams. I like how Martha Sandweiss describes what it feels like to discover a long-lost daguerreotype of President Jackson: There was Andrew Jackson, staring with calm resignation at the face of death.

The image was familiar from many reproductions. It was on April 15, , at the Hermitage, his plantation home near Nashville, Tennessee, that Andrew Jackson, seventy-eight, last posed for his photographer. Gravely ill and in constant pain, the ex-president and military hero had to be propped upright with pillows. Two months later, he was dead.

The best of the portraits from the session was engraved for a popular image of Old Hickory as he appeared "in his last days. Daguereotypes are magical things. On the shiny silver-coated surface of a copper plate, finely delineated photographic images seem preserved as if by alchemy.

While images on paper can be printed in countless numbers from an original negative, each daguerreotype is unique, a direct positive made without the mediating agency of a negative. When I cradled the great missing portrait of Jackson in my hands, I held the plate that Jackson had actually gazed at through the camera lens on that long ago afternoon at the Hermitage.

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The light reflected off his face had impressed his image forever on the sheet of metal. The next page in this series is about ambrotypes. I hope you'll join me there for more interesting images! Scott Waterman January 1, at 1: Reggie Darling January 2, at 7: Square with Flair January 2, at 4: Ruffner January 2, at 6: Parnassus March 14, at 3: Ruffner March 14, at 5: D April 26, at 4: Ruffner September 18, at Anonymous September 28, at Ruffner September 28, at Anonymous April 20, at 8: Ruffner April 20, at 8: Scott May 16, at 2: Ruffner May 16, at 9: Scott May 17, at Ruffner May 18, at 9: Scott May 18, at 3: The case is very nice.

Here is a beautiful, studio, sharp and clear full case, sixth plate daguerreotype image of a seated prominent and notable looking gent.

Daguerreotypes, Ambrotypes, and Tintypes

There is studio gold tint on his watch chain and ring. This is an antique Civil War Soldier Daguerreotype. There is a U. Internal Revenue Certificate stamp of 5 Cents in the case. It is dated October, The case is of wood.

All Things Ruffnerian, a Design Blog and More: Daguerreotypes

A small crack can be Here is a half case, sixth plate daguerreotype image of an attractive young mom holding her baby girl Christening gown? The mom has hanging crossed bows. Here is a half case, sixth plate daguerreotype image of a seated, well-dressed young man. Clayton, Taken in Phila. ABT - Grandfather.

Daguerreotypes and ambrotypes are often enclosed in a hinged case behind glass; tintypes were sometimes placed in thin folding cases. Consider the use of facsimiles instead.

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Care of Encased Photographic Images – Canadian Conservation Institute (CCI) Notes 16/1

The duration of an exhibit should be determined in advance, and no item should be placed on display permanently. Most items should not be displayed for longer than 3 to 4 months, assuming other conditions such as light levels, temperature, and relative humidity are within acceptable ranges. Facsimiles or items of low artifactual value may be exhibited for longer periods of time. Between display periods it should be returned to an appropriate environment where it may "rest" in dark storage.

Light levels should be kept as low as possible.

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When on display, objects should be protected from exposure to natural light, which contains high levels of UV radiation. Shades, curtains, or filters applied directly to windows will help to minimize this exposure. This is particularly important for daguerreotypes, which are very sensitive to light. Display cases should be enclosed and sealed to protect their contents, and their items should be securely framed or matted using preservation-quality materials that have passed the Photographic Activity Test ISO For more information on exhibition management, see Exhibition Guidelines.

Each tintype should have its own enclosure to protect it from dust, handling damage, and changes in environmental conditions. Tintypes with flaking emulsions should be stored flat and stored in low-humidity.